Tom Shear began constructing music at home under the moniker Man On A Stage in the late 1980's. Most of the music was very simplistic and poorly constructed, with no vocals at first but as time went on they occurred more often. While working on Man On A Stage, Tom Shear also was playing bass live for a punk-influenced band collectively known as the Advocates.
In 1988 at a Depeche Mode concert, Assemblage 23 was born. Tom was amazed by the industrial dance music that the opening DJ was spinning. His love of the electronic synth-pop sounds mixed with heavier darker aggression proved to be an turning point for him.
While in college, in addition to working on Assemblage 23 non-stop, Shear also collaborated with two friends, Mike Ukstins and Matt Guenette on a synth-pop project, Procession. The band didn't last long, but provided Shear with performance experience and practice. At first, Assemblage 23 was more of a hobby for Shear rather than a permanent project. There were occasional attempts and demos sent out, but when they lead to no interest in the band, Shear reverted back to making music for fun and his friends. In 1992, he self-released a collection of songs called "Wires". Several radio stations began playing the new act, and fledging magazines, such as Industrial Nation, began to show interest.
But it was a side project of Shear's called Nerve Filter that helped Assemblage 23 get some much needed recognition. On a whim, Shear sent copies of Assemblage 23 and Nerve Filter to Peter Stone of Xorcist, who in return handed them over to Don Blanchard of the now defunct 21st Circuitry Records. However, Blanchard's interest was not in Assemblage 23 but in Nerve Filter, although, a few Assemblage 23 tracks would later be released on several compilations. Arts Industria released the first 'official' Assemblage 23 song "Graverobber" on their Construction No. 009 compilation. Several more times Shear sent out demos to various labels, and even while being frustrated by the lack of interest, he still wrote more Assemblage 23 songs.
Finally in 1998, the Canadian label, Gashed Records signed Assemblage 23 and released their first album, Contempt in 1999, and the follow-up, Failure in 2001. Shortly after the release of Failure, Assemblage 23 had a falling out with Gashed Records and left the label to sign with Metropolis Records, who later that year re-released both Contempt and Failure. With only those two albums, Contempt and Failure, Assemblage 23 became one of the biggest names in industrial and EBM music today.
To further the American electro act's success, a third album, Defiance, was completed for October 2002. Defiance pushed Assemblage 23's sound to the limits of only the imagination. Signature melody constructions, driving rhythms, non-stop beats, and highly emotional and personal lyrics made Defiance a logical follow-up to the widely reveled Failure.
For 2004, Assemblage 23 returned with their first single off of the upcoming album Storm, "Let the Wind Erase Me". The single proved to be different from the 'normal' single format, containing three entirely different versions of the title track, along with two single only b-sides, making the release flow more like a mini-album. The single gave fans a great indication of what to expect from Assemblage 23's fourth album, Storm. Dubbed the most complex Assemblage 23 release thus far, Storm experimented with innovative sound compositions and elements, solidifying A23's position as the most successful American EBM act to date. In November of 2004, the second single off of Storm, titled "Ground", was released in the same format as the previous one. Each song from the album continues to garner new fans and is make Storm a dance floor staple.
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